Description

Raza’s serigraph is printed in 22 colours. Edition Size 100. In the late 1970s, Raza’s focus turned to pure geometrical forms; his images were improvisations on an essential theme: that of the mapping out of a metaphorical space in the mind. The circle or “Bindu” now became more of an icon, sacred in its symbolism, and placed his work in an Indian context. Both converge into a single point and become inseparable – the “Bindu” (the dot or the epicentre). “The Bindu symbolizes the seed, bearing the potential of all life”.